George Caleb Bingham & Some Landscaping Friends
George Caleb Bingham - A kind of history. A kind of style. It's the stillness that warms me. Yes he plays with the light, but not like all those romantic sentimental myth-makers.
Winslow Homer - Workmanlike and truthful? I'm not sure; it's the strong very deliberate compositions he employs together with his ease of execution that keeps me returning to his paintings.
Thomas Eakins - odd combinations of hard-edged naturalism with softer looser elements. Disconcerting.
Eastman Johnson - Paintings more sensuous than Homer but somehow not quite finished.
Albert Pinkham Ryder - Like Turner probably born a century too early.
Ralph Albert Blakelock - Sentimental nostalgia fit only for shadow puppet show backgrounds.
George Inness - Once he got past the romantic stage his tonal work was quite superb.
William Merritt Chase - Artist sees European Impressionism and goes to the beach in America. A shark wouldn't have gone astray.
John Henry Twachtman - I think I would've like to have seen his snow melt.
Julian Alden Weir - Strong compositions influenced by those Japanese prints we all love, with Cezanne's palette painted rather flatly.
Childe Hassam - Camille Pissarro goes to New York.
Robert Henri - Impressionism into Expressionism. Braver renditions of cities than most contemporaries.
John Sloan - Quirky, yet a realist. An American painter.
George Luks - Pushed that paint around like he was really trying to do something. I like that he tried.
William James Glackens - Renoir goes to New York.
Everett Shinn - Verging on Illustration but nice to see the use of line.
Ernest Lawson - Pissarro goes to New York.
Maurice Prendergast - lighter daubings on dark. Post-Impressionism arrives in New York.
George Wesley Bellows - An American paints New York like an American. Finally.
Rockwell Kent - Shape and simplicity. Now we're going somewhere.
Edward Hicks - Whoops, too much simplicity.
Joseph Pickett - Bold and strong.
John Kane - Almost a painter. More natural than Lowry was to attempt later.
Anna May Robertson Moses - I don't like my folk artists to be so nostalgic.
Grant Wood - Wouldn't he? A man with great ideas, and a sister and a dentist.
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